dimanche 4 septembre 2016
mardi 16 août 2016
L'ODYSSÉE À CHALON DANS LA RUE, juillet 2016
L'ODYSSÉE
Une mise en vie de l'oeuvre de Fred Martin par la Compagnie Léz'arts vers (Angers)
Création 2015
Un voyage en forme de récit muet à la rencontre de l'autre, de soi-même, de la terre.
Déambuler au milieu de ces visages, croiser leur regard.
A l'écoute, se laisser guider vers des expériences sensorielles inédites.
Observer l'oeuvre collective au loin ou vivre l'expérience intime de près.
A l'écoute, se laisser guider vers des expériences sensorielles inédites.
Observer l'oeuvre collective au loin ou vivre l'expérience intime de près.
L'Odyssée appelle le public à s'immerger dans une oeuvre et dans son processus de création.
Dernière création de la Cie Lez'Arts Vers associée au plasticien Fred Martin,
L'Odyssée est un spectacle, une aventure, une installation dont la scénographie est réalisée avec le concours d'habitants d'un territoire.
http://www.chalondanslarue.com/spectacles/lezarts-vers-cie-fred-martin/L'Odyssée est un spectacle, une aventure, une installation dont la scénographie est réalisée avec le concours d'habitants d'un territoire.
mardi 31 mai 2016
L'ÊTRE, PARCOURS D'ARTISTES, BRUXELLES mai juin 2016
L'ÊTRE
Parcours d'artistes, Saint Gilles et Forest, Bruxelles
dans le cadre de l'appel à projets « Art dans l'espace public »,
Une sculpture monumentale représentant une tête géante d'environ 6 mètres de haut émerge de terre pour se dresser dans l'espace public au cœur du parc de Forest.
Les yeux clos, la bouche ouverte, elle évoque une étrange embarcation échouée après un long voyage qui entonne une mélodie muette.
Un enduit terre-paille lui sert de peau et rappelle les parois d'une grotte en son intérieur.
La bouche ouverte telle une porte invite les visiteurs, les promeneurs, les curieux à la rejoindre, à entrer en elle pour lui donner vie en occupant l'espace crânien et ainsi se l'approprier le temps d'une performance, d'un concert, d'une lecture ou d'une rencontre. L'intérieur de l'ÊTRE devient un espace collectif, une scène ouverte à tous
L'ÊTRE est aussi une construction collective, réalisée avec la participation des habitants des deux communes, sous la direction de l'artiste. Ceux-ci s'investissent dans la métamorphose de la matière composant la peau de la sculpture en venant piétiner la terre et la paille qui formera le torchis qui recouvrera la structure de base.
Ainsi cette tête au visage anonyme sera empreinte de tous ceux qui lui ont donné corps et elle évoquera l'humanité entière, au-delà de toute appartenance culturelle.
Par son long processus de création, l'œuvre s'inscrit tout à la fois dans la durée et dans l'éphémère, l'événement terminé, elle retourne à la terre et disparaît.
mardi 26 avril 2016
samedi 23 avril 2016
mardi 29 mars 2016
WAR HALL, Maison Folie de Wazemmes, Lille, France, mars 2016
WAR HALL
Exposition par l’association Perf Romance.
Du 4 mars au 3 avril 2016
Maison Folie de Wazemmes, Lille, France
Quand des artistes choisissent l’art plutôt que les armes pour dénoncer les horreurs de la guerre, le résultat donne une exposition détonante !
Avec Jef Aérosol, Bernard Pras, Epsylon Point, Remy Pagart, Mimi the Clown, Sébastien Lhopital, Virgo Black, Happy Fingers, Fred Martin, Dimitri Vazemsky, Johan Jaccob, Loic Parthiot, Atome, Mask, Jacques Lempicki, Charles Barbot et le studio Apollon XIII .
Sans titre
Plâtre /
plaster of Paris
Plâtre /
plaster of Paris
mercredi 24 février 2016
lundi 25 janvier 2016
GLOBAL NOMADIC ART PROJECT, Itm Universe, Vadadora, Gujarat, 15 au 20 décembre 2015
STRANGE FRUIT
Fers à béton, bambous
Structure enduite avec un mélange de bouse de vache, paille de riz
et colorant noir
Sel
.....
Fers à béton, bambous
Structure enduite avec un mélange de bouse de vache, paille de riz
et colorant noir
Sel
.....
Structure made of iron rods and scraped bamboos
covered with a mix of cow dung, straw and black stain
Pile of salt
covered with a mix of cow dung, straw and black stain
Pile of salt
Size: 282x190x120 cm
jeudi 26 novembre 2015
GLOBAL NOMADIC ART PROJECT, INDIA, 17 november 20 december 2015
The Global Nomadic Art Project, India – 2015 is organized by TREES in collaboration with YATOO (Korean Nature Artist’s Association), directed by Somu Desai and Eung Woo – Ri. There are 13 Indian Artists’ and 23 Artists’ from other countries who will unite to work together in Natural Environments.
Global Nomadic Art Project started as an idea by a group of artists from South Korea which has turned into a movement, travelling globally across continents to re-instigate man’s awareness, concern, learning, and responsibility towards our environment.
Our contemporary world is responding too fast to the growing needs of man supposedly causing an imbalance in various sectors of our society. This thought perception has resulted in extremism of two kinds, either it is taking us too far from Mother Nature or close to it. This project is aimed at bridging the gap by changing these very thought perceptions through various visual art practices. The ‘nomadic’ artists shall indulge in inter-cultural dialogue with not their own environment but the other. Artists shall interact with group of students at various educational institutions and share their expertise. While travelling place to place they shall reflect upon their experiences. They shall spend a few days to make art works from what they find relevant in nature and environment. We have also invited the local artists, artisans, poets, writers, philosophers, folk singers and musicians to join in with the project. These art works shall be documented, displayed & archived for educational & sensitization purpose.
The interest is not to make any artwork as commodity, rather to leave traces of dialogue with nature by creating ephemeral artworks. The artists will listen and communicate with nature through their work.
Global Nomadic Art Project started as an idea by a group of artists from South Korea which has turned into a movement, travelling globally across continents to re-instigate man’s awareness, concern, learning, and responsibility towards our environment.
Our contemporary world is responding too fast to the growing needs of man supposedly causing an imbalance in various sectors of our society. This thought perception has resulted in extremism of two kinds, either it is taking us too far from Mother Nature or close to it. This project is aimed at bridging the gap by changing these very thought perceptions through various visual art practices. The ‘nomadic’ artists shall indulge in inter-cultural dialogue with not their own environment but the other. Artists shall interact with group of students at various educational institutions and share their expertise. While travelling place to place they shall reflect upon their experiences. They shall spend a few days to make art works from what they find relevant in nature and environment. We have also invited the local artists, artisans, poets, writers, philosophers, folk singers and musicians to join in with the project. These art works shall be documented, displayed & archived for educational & sensitization purpose.
The interest is not to make any artwork as commodity, rather to leave traces of dialogue with nature by creating ephemeral artworks. The artists will listen and communicate with nature through their work.
This documented exhibition mounted in India would also get demonstrated in other countries during the global nomadic art project in Iran and South Africa in 2016, European countries in 2017 and America in 2018.
Site Specific #1
MUDLAND, VELAVADAR
sunday 22nd november
Black mud
https://vimeo.com/154410323
Shot by Saulius Valius
Shot by Saulius Valius
Mudland,
Encounter with the land
first plunge into earth
laid then fell down
four times in very soft almost liquid grey mud
leaving behind me four body prints
Site Specific #2
WETLAND, VELAVADAR
sunday 22nd november
Black silt
WETLAND, VELAVADAR
sunday 22nd november
Black silt
Wetland,
Attempts of body prints
on a soft silt land
unsuccessful butled me to draw with my naked body on the plain ground
Walked
bare feet on soils
soft and muddy
dry and hard
cracked and dusty
SASAN GIR
friday 27th novemberStones
Two disastrous attempts to build sculpture shaped animals with stones
as I used to do 20 years ago
then…
on saturday 28 th november
... went into the jungle, in Gir forest
sat and admired wind blowing in fallen teak leaves
a bull skull being absorbed by creepers
a wild stream passing by.
Experimented the best path in nature is never the straight way.
Site Specific #3
SHRUTI BEACH
wednesday 2nd december
Sand
Sand
Site Specific #4
LAKHPAT
LAKHPAT
wednesday 2nd december
Soil
Soil
Dug my hole
dug a circular pit with a local tool
on yellow ochre dry soil
inspired by the trap of the insect called Antlion
Dust from digging became the main material
Site Specific #5
MANGROVE CHERIA LAKHPAT
MANGROVE CHERIA LAKHPAT
friday 4th december
Clay
Mud
Mud
Isolated on the steps of a feline
layer of red sandy soil on a bed of black clay
modeled a head with it
Borrowed the landscape
on shore of the lake
series of body prints
from mud
into water
Site Specific #6
DHORDO, GREAT RANN OF KUTCHH
DHORDO, GREAT RANN OF KUTCHH
monday 7th december
Salt
Black mud
Water
Salt
Black mud
Water
Laid down on salty soil
extracted black mud from beneath the salt crust
mixed mud, salt and water
covered my body by Ya-Chu Kang with a thick layer of this mixture
stood up and revealed the negative print of the body

Crashed the salt crust with my feet in a circular form
mixed mud, salt and water
till obtaining a liquid mix like ink
Site Specific #7
DHROBANA
tuesday 8th december
Silt
Borrowed the landscape
on the shore of the goat’s pond
three body prints
in sandy soft yellow silt
Site Specific #8
DHORDO, GREAT RANN OF KUTCHH
DHORDO, GREAT RANN OF KUTCHH
tuesday 8th december
Salt
Black mud
Water
Salt
Black mud
Water
Second attempts with most liquid black mud
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